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 | Inconsistency of virtual initiations |
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... what I think, but that is my opinion, is that a true initiatory organization should never refuse the initiation to those who prove to be spiritually suitable to receive it only because they cannot afford the enrolment and a monthly fee that is beyond their possibilities. Not all initiatory organizations are the same. Fortunately there are some, in my experience, which are within everyone’s reach, rich and poor.
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 | Imago Templi / 6.20 |
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The Number Ten, Harmony and the achievement of the complete state of ‘Being’.
With this paragraph we enter the 3rd Level of interpretation, that of Initiate Master Builder.
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 | The Journey through the Great Work /3.2 |
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Ars Muratoria describes in detail the ‘geometry’ of a method and its instruments. These instruments hide the virtues of the Initiate’s Psyche in the allegory.
On the contrary of what we think, it is necessary to refuse and disown the exoteric isolation of the High ritual Chambers and to understand the invisible connections of the initiatory activities through which Esoteric Philosophy joins in the Scottish Pyramid the commitment of initiates of different levels and abilities.
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 | The Journey through the Great Work /3.1 |
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Ars Muratoria describes in detail the ‘geometry’ of a method and its instruments. These instruments hide the virtues of the Initiate’s Psyche in the allegory.
When in the evolution of the Human Kingdom the air element of the thought got in contact with the fire element of the spirit, an aqueous and voluble element appeared in the lower levels of the mind; it still accompanies Personality up to its complete individualization. |
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 | Anamnesis of the inner reawakening |
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... I wonder if being an initiate represents the "sine qua non" condition... or isn't it enough to have a pure and simple love for knowledge, beyond any material interest.
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 | Three occult sides of the Temple |
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| If the adept is not looking for vain appearance but for initiatory coherence, he will have to learn to act unusually and the key word is transcending. In order to achieve a considerable initiatory ability, he must be able to transcend the symbolic shadow and go from the exterior Temple, which is the fulcrum of symbolic Freemasonry, to the inner Temple, which is the basis of White Freemasonry. |
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 | Fragments of an Initiatory Reality - Fragment 2 |
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| Fragment 2: Postulate on the meaning of surface and depth esotericism. |
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 | Imago Templi / 6.8 |
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The three Thresholds of Initiation: Part 2 – The Creation of the Destiny of Man: disorientation, orientation and re-orientation of the Psyche – The Great Caduceus of the Scottish Rite
The Masonic Precepts are contained in a lesser Catechism that forms the body of the Lesser Mysteries and in a greater Catechism that refers to the body of the Greater Mysteries. The latter represent the third Threshold of Initiation. Lesser and Greater Mysteries have superimposable, therefore identical, purposes. The differences are the quality of terms and the different depth of thought in the same concepts. |
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 | Spiritual Alchemy – Part 2 |
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Technique of the Inner Way.
The Unity of the Matter is the starting postulate of the old hermeticists. Modern nuclear physics and chemistry demonstrate it, when they make matters and products which were completely unknown; they also follow the old saying: “Omnia ab uno et in unum omnia”, viz. “all is in one and one is in all”. All things come from the same germ and they have all been generated by the same mother. |
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 | The descent of VITRIOL |
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Parts of us lie abandoned deep down in ourselves. They are our doubles, the actors that played our roles. Parts of us, of our personality, which are the memory of what we have done and what we have been, lie forgotten in a dark room called the subconscious.
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 | Art and artistic action in everyday life |
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| Many people experience the feeling that a work of art channels and irradiates the energies, the love for the work, the goals, the intentions and intuitions of the artist.
It is as if these elements were kept in the work of art; whoever is in tune with it can perceive its vibrations. From this apparently ordinary experience was born this short reflection on the sense of art and the energy it symbolizes and evokes, purifying its debris; it can infuse praxis and effectiveness in those who can transmute them. |
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 | Considerations on the "knowledge through contact" |
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| To avoid misunderstandings I would like to point out what the esoterist means by “knowledge through contact”. |
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