Cosmic Thought-Frame
Akasa; Primordial Substance.
In what, then, does happiness consist? Is it in being able to sit still without daring to arouse the Primary Substance with thought? Or is it in directing the thought to a new construction of life? I first spoke to you of action, but now we shall affirm thought. Action, even the most exalted, touches comparatively low strata; only thought, in its nature, can act upon the Primary Substance. First I spoke of action as the attainable evidence, but with a sufficiently broadened consciousness it is time to affirm the significance of thought. Multitudes of thoughtless actions remain at the surface of existence, undifferentiable from the actions of the animal world. But if we speak of straight-knowledge and the heart, it is necessary to affirm thought as the power and co-creator of Existence. Notice that I do not speak of discussions, nor of pondering, but of thought, which sweeps through the surface of Substance with its individual rhythm, and thus creates infinitely! (H, 47)
Before him the weaver has his warp, without which the most skilled craftsman cannot reveal his creative thought. For creativeness of thought, the Cosmic Thought-Frame is also necessary; for thus We name the Primary Substance from which fiery thought strikes the spark of creation. This same work can be performed by experienced thinkers and also by a child if it is kindled by an unalterable desire. Without knowing the degree and quality of their thoughts one can judge neither hermit nor ascetic. Nor can one judge the singer or poet without knowing what thought-creativeness they emanate. Gradually we are becoming accustomed not to condemn, because only thought-creativeness is the Creator’s co-worker. Thus, let us cautiously assemble all existing thoughts that can benignly penetrate Akasa and reach the essence of Existence. The greatest consolation is that no one is deprived of thought, and, aware of its significance, all can exercise this inherent bliss. (H, 50)
Sometimes people say, “I was so moved by my dream that my heart is even in anguish.” The heart-anguish comes not from evil dreams but from straining for luminous desires. Heart-anguish primarily fills our being with the substance of power. Naturally, the sculpture of Akasa is not always connected with heart pangs, but a feeling of anguish reveals, in any case, tension and cooperation with the Primary Thought-Frame. Thus, one need not fear anguish as an evil sign. (H, 51)
see also Akasa
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